Musée Nicéphore Niépce: Considering / Classification: 50 years of the museum

Musée Nicéphore Niépce: Considering / Classification: 50 years of the museum
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On the event of its fiftieth anniversary, Nicephore Niepce Museum (1972) proposes to carry the veil on a dimension that’s hidden from the general public: shops, the richness of its collections. To point out every thing is unimaginable, it’s not a consultant choice. A catalog (September 2022) traces its historical past and acquisition insurance policies. So, to make them delicate to each range and quantity, to keep away from repetition of the everlasting path, the general public is invited to a enjoyable and poetic method to those areas, in a method that George Perec.

Followers of classifications, lists, inventories, nicknamed the “loopy taxonomist”, questioned and ironized Perec (1936-1982) in his essay “Suppose / Classify”, this anthropological mania to wish to put order within the universe. Folks need to classify the world to grasp it, to consider it. Every part as an alternative, a spot for every thing. This nice “mania” is the very coronary heart of the museum enterprise. No matter space of ​​information, a museum offers, inventories, classifies, preserves, transfers, reveals.

For 50 years, the Nicéphore Niépce Museum has carried out these missions. However with a particular characteristic: its motif, images.

And miss and abyme.

For images, the daughter of the nineteenth century and its revolutions, carries inside it, from its look, a hard and fast concept, a utopia. To imagine that due to that we will present every thing, and soak up the entire world in museums. To imagine that we will make a common and correct assertion of issues, with a purpose to protect their vivid picture. To imagine that we will overcome the passage of time, oblivion and destruction. Additionally to imagine that we will know and perceive the world higher, by detailing it, by dissecting it, by auscultating it in all its nooks and crannies, from the infinitely giant to the infinitely small.

The images didn’t fail (?) And the Nicéphore Niépce Museum Reserve is proof of this. For 2 centuries, images has undoubtedly served our taxonomic obsessions, particular person or collective, whether or not they’re scientific or documentary, beginner or creative. The character of the museum’s collections and their group typically result in the sting of the Perecquian vertigo. The vocabulary that the author has listed can be divided with regards to images: “to catalog, archive, classify, reduce out, enumerate, group, prioritize, checklist, quantity, order, order, organize, regroup, distribute”. Then “divide, distribute, distinguish, characterize, mark, outline, distinguish, oppose, and so on ”. However opposite to what they evoke, none of those operations could be goal. Neutrality and completeness don’t exist. There’s at all times a watch, preliminary selections and out of bounds.

Thankfully, Perec reminds us with humor and humility that our pursuit of omniscience is doomed to fail. Our makes an attempt to arrange information are sometimes out of date as quickly as they’re prepared, and could be “barely more practical than the unique anarchy” …

Considering / classification: 50 years of the museum – tribute to Georges Perec
from 2 July to 25 September 2022
opening: Friday 1 July at 6.30 pm
Nicephore Niepce Museum
28 Messageries Quay
71100 Chalon-sur-Saone, France

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